Some notes about poetic syntax in Ahmad Javad's poetry (Based on the poem "Sesli giz")
Adalat AbbasovDOI: doi.org/10.48445/l2680-9347-6952-w
ORCID ID: https://orcid.org/0000-0002-9704-1874
Date: 26 January 2024
ABSTRACT
The influence of folk literature can be clearly felt in the first book of the famous writer Ahmet Javad, who stands out in the history of Azerbaijan's literary and artistic thought with his unique handwriting, either in his first book called "Goshma", or in the book "Dalgha", which is a manifestation of the dynamic level of his creativity and where most of his works are collected. The same poetic feeling, figurative (expressive) conditions, and aesthetic taste are strong in the poem "Sesli giz" as in other works of the poet. The reader becomes an active person in the world of poetic ideas and images thanks to the local use of words and phrases in terms of communi-cative functionality. It is as if the words that are careful-ly arranged in the verses serve to form a semantic (poetic) environment, and as a result, to strengthen the idea-content line. The poet used informative and expressive functions of the language in a wide context in the poem "Sesli giz" and succeeded in shaping the environment of poetic syntax by making sufficient use of rich metaphors - artistic images and poetic figures.
KEYWORDS
dynamic level, fluent language, neutral lexicon, poetic semantics, syntactic idea