Author’s worldiew and historicity in the dramaturgy of Jafar Jabbarli
Tayyar SalamoghluDOI: doi.org/10.48445/c1990-4387-1020-l
ORCID ID: http://orcid.org/0000-0001-8364-1580
Date: 26 January 2024
ABSTRACT
The article summarizes critical and literary criticism viewpoints regarding the dramaturgy of Jafar Jabbarly, an Azerbaijani playwright and poet, and traces the evolution of his outlook throughout the first stage of his creativity, from the defence of Islamic beliefs to Pan-Islamism. Hence the attitude of the national leader towards our religion is presented as a methodological key to look into various aspects of religion in our classical heritage. As far as the dramaturgy of Jafar Jabbarly goes, the power of historicism, emanated from the factors of national unity, Turkism, and religious beliefs, is justified as an instrumental pillar that is conducive to our victories.
KEYWORDS
worldview, historicism, dramaturgical conflict, hero, Turkism
