Articles

"I had a wisdom and my dream was confused" (Based on the work of Ashug Alasgar)

ABSTRACT 

The landscape defined by the ashug art, as well as the poetry atlas of the master Ashug Alasgar, is unique in terms of history and geography in terms of uniqueness. Being the epicenter of this infinity, Goycha also stands on the criteria of art determined by the memory of folklore. The song of the poets, the music of the ashugs, Oguz Kagan's idea "I became the kagan of Oguz", the principle of life defined by Khan Kazan's alpines, Koch Koroglu's Chanlibel order, Khidir Nabi, the archaic memory code of Novruz at the ceremonial level, etc. and so on. All of them are connected to the consortium "I called Alasgar, Goycha gave me to Goycha" at the Goycha level. The spontaneous panorama of folklore, as well as the work of ashugs, is connected with the sacred art and way of life (principle) defined by masters in the example of kopuz and saz, Ashug Alasgar. All this brings to the forefront systematic approaches in the sense of art and creativity, the dynamics of historical and cultural currents, and makes it necessary to analyze in different directions. 

KEYWORDS 

ozan-ashug creativity, master ashugs, Ashug Alasgar, Goycha ashug  environment, masterpieces, ashug legends