Mirza Alakbar Sabir as a Representative of His Master Seyid Azim Shirvani Literary School
Ulduz GahramanovaDOI: https://doi.org/10.48445/o5639-8545-9931-l
ORCID ID: https://orcid.org/0009-0003-4418-9319
Date: 30 May 2025
ABSTRACT
Mirza
Alakbar Sabir benefited from his predecessors, classical artists, while
choosing the method of exposing the satirical type with his own words. He
relied on the experiences of M. F. Akhundzade and S. A. Shirvani. However, as
it is shown in scientific literature, in all aspects of his creativity,
including when he benefited from the classical heritage, Sabir always
demonstrated an original style of writing, never allowing repetition or
imitation. Sabir's use of classical heritage and the methods of using them are
very diverse; he adapts the poetic idioms, description and expression methods
of the masters to the times, changes the position of the author, sometimes the
lyrical heroes become selfless people and sometimes satirical types, the
"lover" and "beloved" of the hero are essentially changed,
the lyrical dialogue and monologues become satirical and is put into a humorous
form, in some cases, complaints and complaints serve not to confirm the
dedication of the new "lover", but to expose his inner ugliness or
criticize his inertia. As a result of all these multi-hued images and artistic
presentation methods, the richness of the world of Sabir's paintings is
ensured.
KEYWORDS
satire,
master, innovator, classical heritage, satirical type
