The Symbolism of Liberated Territories: “Return” and “Homecoming” in the Nakhchivan Literary Environment
Azada AliyevaDOI: https://doi.org/10.48445/s0099-1384-5582-f
ORCID ID: https://orcid.org/0009-0001-1689-4307
Date: 21 July 2026
ABSTRACT
This study investigates the artistic embodiment of the
"Return" and "Homecoming" ideas concerning the liberated
territories within the context of the Nakhchivan literary environment,
specifically focusing on its representation in poetic structures and artistic
language. The primary goal is to reveal the symbolic language, poetic styles,
and the artistic-philosophical depth of the return motif that emerged in
Nakhchivan literature during the post-war period. Employing phenomenological
and hermeneutic methods, the research analyzes the transformation of key
symbols such as “land”, “border”, “Homeland”, and "longing for the native
land" in the works of Nakhchivan poets and writers. The findings
demonstrate that in the Nakhchivan literary milieu, the idea of
"Return" is presented not only as a physical movement but also as a restoration
of the national spirit, the triumph of historical justice, and an integral part
of the poetics of Victory. This literary heritage is highly relevant for the
international scientific community in terms of artistically reflecting the
processes of national memory restoration and peacebuilding in the post-conflict
period. The study provides a theoretical contribution to Nakhchivan literary
criticism by introducing the analysis of new symbolic layers.
KEYWORDS
“Return”, "Homecoming", Nakhchivan literary
environment, poetics of Victory, symbolism










































